Stefan Ruzowitzky erhielt für “Die Fälscher” den Auslands-Oscar. Unglaublich aber wahr !
Herzliche Gratulation !!!
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selve amiche
selve amiche - alternative mix
Baroque aria “Selve Amiche” composed by Antonio Caldara [* 1670 in Venice; †28. Dezember 1736 in Vienna]
Version on iTunes has the real end of the track.
vox: jaqueline schwarz
keys: peter mahr / blogasys
OASYS:
- “Dark Aquarell” [combination of KARO KPS Indigo Strings, OB-Xa pad, modified #A-013 Syn Sax)
- “Stage E.Piano” [edited HD-1 Factory Program]
- “Electric Guitar” [STR-1 Factory Program]
Voyager:
- Synth Bass
Nord Rack II:
- Scratchy Pad
drum pattern programming: andreas ecker
Any suggestion welcome:
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If you hear a crash after 32s then this is not in the recorded audio file… it probably was a bat crashing against the window of your studio…. aliasing? 
AL-1 for bats & butterflies
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Die unten stehenden Spezifikationen könnten für diejenigen von Interesse sein die schon immer wissen wollten welche Konverter der OASYS benutzt. Die Information stammt von keinem geringeren als Dan Phillips, der diese im gearslutz Forum gepostet hat. Den entsprechenden link dazu finden Sie am Ende dieses Artikels.
OASYS uses the TI PCM1793 D/A converters:
24-bit
Dynamic Range: 113 dB
THD+N: 0.001%
http://chipcatalog.com/TI/PCM1793.htm
A/D are TI PCM1802:
24-bit
THD+N: 96 dB (Typical)
SNR: 105 dB (Typical)
Dynamic Range: 105 dB (Typical)
http://chipcatalog.com/TI/PCM1802.htm
“I can’t comment on the relative sound quality in comparison to Synclav Poly voices, since I haven’t listened to the two side-by-side. The Synclav will run at up to 100kHz, which would be an advantage in some cases. On the other hand, OASYS uses 32-bit floating-point processing, and 24-bit converters, both of which should reduce quantization noise.”
posted by Dan Phillips @ gearslutz
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